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  • Political Performance in Syria

    ¼öÀÔ
    Political Performance in Syria From the Six-Day War to the Syrian Uprising [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Edward Ziter | Springer Nature B.V. | 2014³â 11¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Political Performance in Syria, charts the history of a theatre that has sought the expansion of civil society and imagined alternate political realities. In doing so, the manuscript situates the current use of performance and theatre by artists of the Syrian Revolution within a long history of poli...
  • Towards a Market in Broadcasting

    ¼öÀÔ
    Towards a Market in Broadcasting Communications Policy in the UK and Germany [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    C. Potschka | Springer Nature B.V. | 2012³â 03¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    A comparative analysis of the evolution ofUK and German broadcasting policies, adding to the developing area of comparative research on media and communications policy. The book focuses on processes of marketization and liberalization as they have affected policy-making, national regulatory framewor...
  • Performing European Memories

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    Performing European Memories Trauma, Ethics, Politics [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Milija Gluhovic | Springer Nature B.V. | 2013³â 04¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Asking whether a genuinely shared European memory is possible while addressing the dangers of a single, homogenized European memory, Gluhovic examines the contradictions, specificities, continuities and discontinuities in the European shared and unshared pasts as represented in the works of Pinter, ...
  • Performance, Space, Utopia

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    Performance, Space, Utopia Cities of War, Cities of Exile [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    S. Jestrovic | Springer Nature B.V. | 2012³â 11¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Over 20 years after the war in Yugoslavia, this book looks back at its two most iconic cities and the phenomenon of exile emerging as a consequence of living in them in the 1990s. It uses examples ranging from street interventions to theatre performances to explore the making of urban counter-sites ...
  • The Fool in European Theatre

    ¼öÀÔ
    The Fool in European Theatre Stages of Folly [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    T. Prentki | Springer Nature B.V. | 2011³â 11¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Why is folly essential to the functioning of a healthy society? Why is theatre a natural home for madness? The answers take the reader on a journey embracing Shakespeare and Jonson, Brecht and Beckett, Buchner and Boal. From Falstaff to Fo via Figaro, this study examines the art of telling truth to ...
  • British Avant-Garde Theatre

    ¼öÀÔ
    British Avant-Garde Theatre [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    C. Warden | Springer Nature B.V. | 2012³â 05¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    This book explores an under-researched body of work from the early decades of the twentieth century, connecting plays, performances and practitioners together in dynamic dialogues. Moving across national, generational and social borders, the book reads experiments in Britain during this period along...
  • The Theatres of Morocco, Algeria and Tunisia

    ¼öÀÔ
    The Theatres of Morocco, Algeria and Tunisia Performance Traditions of the Maghreb [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Khalid Amine | Springer Nature B.V. | 2011³â 11¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Modern international studies of world theatre and drama have begun to acknowledge the Arab world only after the contributions of Asia, Africa and Latin America. Within the Arab world, the contributions of Algeria, Tunisia, and Morocco to modern drama and to post-colonial expression remain especially...
  • Performance, Politics and Activism

    ¼öÀÔ
    Performance, Politics and Activism [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    P. Lichtenfels | Springer Nature B.V. | 2013³â 04¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Considering both making political performance and making performance politically, this collection explores engagements of political resistance, public practice and performance media, on various scales of production within structures of neoliberal and liberal government and power.
  • Dancing Naturally

    ¼öÀÔ
    Dancing Naturally Nature, Neo-Classicism and Modernity in Early Twentieth-Century Dance [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    A. Carter | Springer Nature B.V. | 2011³â 12¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    A renewed interest in nature, the ancient Greeks, and the freedom of the body was to transform dance and physical culture in the early twentieth century. The book discusses the creative individuals and developments in science and other art forms that shaped the evolution of modern dance in its inter...
  • Neoliberalism and Global Theatres

    ¼öÀÔ
    Neoliberalism and Global Theatres Performance Permutations [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    L. Nielsen | Springer Nature B.V. | 2012³â 07¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    How do theatre and performance transmit and dispute ideologies of neoliberalism? The essays in this anthology examine the mechanisms and rhetorics of contemporary multinational and transnational organizations, artists, and communities that produce theatre and performance for global audiences.
  • East Asian Cinemas

    ¼öÀÔ
    East Asian Cinemas Regional Flows and Global Transformations [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    V. Lee | Springer Nature B.V. | 2011³â 04¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    This book is an original volume of essays that sheds new and critical light on current and emerging filmmaking trends and practices in China, Taiwan, Hong Kong, Japan and South Korea. A timely and important contribution to existing scholarship in the field.
  • Filming and Performing Renaissance History

    ¼öÀÔ
    Filming and Performing Renaissance History [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    M. Burnett | Springer Nature B.V. | 2011³â 02¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Over the last century, many 16th- and 17th-century events and personalities have been brought before home, cinema, exhibition, festival and theatrical audiences. This collection examines these representations, looking at recent television series, documentaries, pageantry, theatre and popular culture...
  • Genre in Asian Film and Television

    ¼öÀÔ
    Genre in Asian Film and Television New Approaches [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    F. Chan | Springer Nature B.V. | 2011³â 03¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Genre in Asian Film and Television takes a dynamic approach to the study of Asian screen media previously under-represented in academic writing. It combines historical overviews of developments within national contexts with detailed case studies on the use of generic conventions and genre hybridity ...
  • A Pathognomy of Performance

    ¼öÀÔ
    A Pathognomy of Performance [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    S. Bayly | Springer Nature B.V. | 2011³â 02¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Exploring the themes of the event, ephemerality and democracy that mark the encounter between performance and philosophy, this original study elaborates fresh perspectives on the experiences of undoing, fiasco and disaster that shadow both the both stage and everyday life.
  • Biographical Theatre

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    Biographical Theatre Re-Presenting Real People? [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    U. Canton | Springer Nature B.V. | 2011³â 05¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Marilyn Monroe, Vincent van Gogh or the victims of rendition flights - the number and variety of historical and contemporary figures represented on British stages is amazing. This book develops a new theoretical framework for the representation of real life figures on stage and examines different wa...
  • Screening the Unwatchable

    ¼öÀÔ
    Screening the Unwatchable Spaces of Negation in Post-Millennial Art Cinema [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    A. Gr©ªnstad | Springer Nature B.V. | 2011³â 11¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Tracing the rise of extreme art cinema across films from Lars von Trier's The Idiots to Michael Haneke's Cache, Asbjørn Grønstad revives the debate about the role of negation and aesthetics, and reframes the concept of spectatorship in ethical terms.
  • Odin Teatret

    ¼öÀÔ
    Odin Teatret Theatre in a New Century [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    Adam Ledger | Springer Nature B.V. | 2012³â 07¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Focusing on Odin Teatret's latest work, this discussion is updated by drawing on fresh research. The group's productions since 2000 are included and the book offers a reassessment of Odin's actor training. Its community work and legacy are discussed and Barba's intercultural practice is viewed along...
  • Refugees, Theatre and Crisis

    ¼öÀÔ
    Refugees, Theatre and Crisis Performing Global Identities [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    A. Jeffers | Springer Nature B.V. | 2011³â 10¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    Using examples of refugee arts and theatrical activity since the 1990s, this book examines how the 'refugee crisis' has conditioned all arts and cultural activity with refugees in a world where globalization and migration go hand in hand.
  • Performance in the Blockades of Neoliberalism

    ¼öÀÔ
    Performance in the Blockades of Neoliberalism Thinking the Political Anew [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    M. Wickstrom | Springer Nature B.V. | 2012³â 02¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    This book?ranges from refugee camps in Palestine to halting sites of the Irish Travellers and elsewhere in search of a new politics practiced through performance. Written through the intersection of performance and philosophy, the book refutes neoliberalism's depoliticizing and strategic uses of hum...
  • Cyborg Theatre

    ¼öÀÔ
    Cyborg Theatre Corporeal/Technological Intersections in Multimedia Performance [ Perfect,eng, POD ÁÖ¹®Á¦ÀÛµµ¼­ ]
    J. Parker-Starbuck | Springer Nature B.V. | 2011³â 04¿ù
    64,100¿ø (5% ÇÒÀÎ) Æ÷ÀÎÆ®Àû¸³ 1,930¿ø
    This book articulates the first theoretical context for a 'cyborg theatre', metaphorically integrating on-stage bodies with the technologized, digitized, or mediatized, to re-imagine subjectivity for a post-human age. It covers a variety of examples, to propose new theoretical tools for understandin...
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