¹ÂÁö¼ÇÀ¸·Î¼ ¹êµå¿Í ¼Ö·Î, ¾çÂÊ¿¡¼ ¼º°øÀ» °ÅµÎ±â¶õ °áÄÚ ½±Áö ¾Ê´Ù. ±èÀ±¾Æ´Â µÎ °íÁö¿¡ ¸ðµÎ ¿À¸¥ ´ëÇ¥ÀûÀÎ À½¾Ç°¡´Ù. ±×´Â Àڿ츲ÀÇ º¸Äø®½ºÆ®ÀÌÀÚ ¸ÞÀÎ ÀÛ°î°¡·Î¼ ÆÀÀÇ °íÀ¯ÇÑ »ö±òÀ» ¿Ï¼ºÇß°í, ÀÚ½ÅÀÇ À̾߱⸦ ÀüÇÏ´Â ½Ì¾î¼Û¶óÀÌÅͷμ µ¶ÀÚÀûÀÎ À½¾Ç ¼¼°è¸¦ ÆîÃÆ´Ù. 1997³â µ¥ºßÇÑ Àڿ츲°ú 2001³â ù ¾Ù¹üÀ» ³½ ¼Ö·Î ¾ÆƼ½ºÆ® ±èÀ±¾Æ´Â ±×·¸°Ô °¢±â ´Ù¸¥ ¿µ¿ª¿¡¼ ºû³ª´Â ±ËÀûÀ» ±×·Á¿Ô´Ù.
±èÀ±¾Æ´Â âÀ۷°ú Ç¥Çö·ÂÀ» µÎ·ç °®Ãá ½Ì¾î¼Û¶óÀÌÅÍ´Ù. ¿ì¼± ¸ñ¼Ò¸®ºÎÅÍ µ¶º¸ÀûÀÌ´Ù. Àû¾îµµ Àڿ츲ÀÇ ½Ã´ë¸¦ °æÇèÇÑ À̶ó¸é ±×ÀÇ ¸ñ¼Ò¸®¸¦ ¸ð¸¦ ¼ö ¾ø´Ù. ¼Õ²ÅÈ÷´Â À½»ö°ú Æø³ÐÀº À½¿ª´ë, ¾ÈÁ¤ÀûÀÎ ¹ß¼º°ú ¼¶¼¼ÇÑ °¨Á¤ Ç¥ÇöÀÌ ±èÀ±¾Æ º¸ÄÃÀÇ ÈûÀÌ´Ù. µ¿¸íÀÇ ¿µÈ ÁÖÁ¦°îÀ¸·Î ¸¸µé¾îÁ® ù ¹ø° ¾Ù¹ü¿¡µµ ½Ç¸° ¡®º½³¯Àº °£´Ù¡¯(2001)´Â º¸Äø®½ºÆ® ±èÀ±¾ÆÀÇ ¸Å·ÂÀ» ´ëÁß¿¡ »õ·ÎÀÌ °¢ÀÎÇÑ ±â³äºñÀû ³ë·¡¿´´Ù.
±×´Â ¶Ù¾î³ ¸á·Îµð ¸ÞÀÌÄ¿ÀÌÀÚ °¨°¢ÀûÀÎ »ç¿îµå µðÀÚÀ̳ʴÙ. ¡®´ã¡¯(2001), ¡®¾ß»ó°î¡¯(2004), ¡®º½ÀÌ ¿À¸é¡¯(2004), ¡®Going Home¡¯(2010) µî ¼·Î ´Ù¸¥ ºÐÀ§±â¿Í Áú°¨ÀÇ ³ë·¡°¡ ÀÕ´Þ¾Æ ´ëÁßÀÇ »ç¶ûÀ» ¹ÞÀº °Ç ±âº»ÀûÀ¸·Î Èí¼ö·Â ³ôÀº °í°¨µµ ¼±À² ´öÀÌ´Ù. ±×ÀÇ ¸á·Îµð´Â ¶§·Î °¡½¿À» ¿¡´Â µí Â÷°©°í, ¶§·Ð ÇѾøÀÌ ¼Á¤ÀûÀÌ°í µû½ºÇÏ´Ù. ¿©±â¿¡ ±âŸ¿Í ÇǾƳ븦 Á߽ɿ¡ µÐ ÆË »ç¿îµåºÎÅÍ Ç³ºÎÇÑ ¿ÀÄɽºÆ®·¹À̼Ç, ¾ÖÀýÇÏ°í °·ÄÇÑ ÅÊ°í, Â÷°©°í ½Åºñ·Î¿î ÀüÀÚÀ½°ú ¾Úºñ¾ðÆ® µî ´Ùä·Î¿î »ç¿îµå µðÀÚÀÎÀÌ °áÇÕÇØ ±èÀ±¾ÆÀÇ À½¾Ç ¼¼°è¸¦ ÀÌ·é´Ù. ±×ÀÇ À½¾ÇÀû ½ºÆåÆ®·³¿¡´Â À帣Àû ÇÑ°è°¡ Á¸ÀçÇÏÁö ¾Ê´Â´Ù.
±èÀ±¾Æ´Â Ź¿ùÇÑ Àۻ簡À̱⵵ ÇÏ´Ù. ±×´Â Àϻ󿡼 ÈçÈ÷ ¹ú¾îÁö´Â »ç°Ç°ú À̸éÀÇ °¨Á¤À» ±×¸¸ÀÇ Á¤Á¦µÈ ¾ð¾î·Î ´ã¾Æ³»´Â µ¥ ´ÉÇÑ À̾߱â²ÛÀÌ´Ù. ¸¶À½¼Ó ±íÀº °÷¿¡¼ Áö¿öÁöÁö ¾Ê¾Æ ¾îÂîÇÒ ¼ö ¾ø´Â °íµ¶°ú ½½ÇÄ, Àΰ£°ú Àΰ£ÀÇ °ü°è, ÁÖº¯ ÀÌ¿ôÀÇ »î°ú »çȸ¿¡ °üÇÑ ÅëÂû±îÁö. ±×ÀÇ ³ë·§¸»¿¡´Â Ȧ·Î »ì¾Æ°¡´Â Àλý°ú ±×·³¿¡µµ ´õºÒ¾î »ì¾Æ°¡´Â ¼¼»óÀ» ´ëÇÏ´Â ±×¸¸ÀÇ ±ÕÇü ÀâÈù ¹®ÀåÀÌ »ì¾Æ ¼û ½®´Ù. ¡®°¡²û¾¿¡¯(2001), ¡®Áõ¿À´Â ³ªÀÇ Èû¡¯(2004), ¡®°ËÀº °¡¯(2010), ¡®Å°¸®¿¡¡¯(2016) µî °³ÀÎÀûÀÌ°íµµ º¸ÆíÀûÀÎ ±èÀ±¾ÆÀÇ °¡»ç´Â ±×·¸°Ô ´©±¸³ªÀÇ »î¿¡ °¡´ê¾Ò´Ù.
¹êµå ¸â¹ö·Î¼, ¼Ö·Î ¾ÆƼ½ºÆ®·Î¼ ÀڽŸ¸ÀÇ ±æÀ» °¡°í ÀÖ´Â ±×´Â ¿©·¯ ÈÄ¹è ¹ÂÁö¼ÇÀÇ ·Ñ ¸ðµ¨ÀÌ´Ù. ƯÈ÷ 2000³â´ë ÀÌÈÄ µîÀåÇÑ ¸¹Àº ¿©¼º ½Ì¾î¼Û¶óÀÌÅÍ°¡ ±×ÀÇ ÆÒÀ» ÀÚóÇÑ´Ù. ¿äÁ¶, ¼±¿ìÁ¤¾Æ, ¿Á»ó´ÞºûºÎÅÍ ±è»ç¿ù, Çѷηο¡ À̸£±â±îÁö ±×ÀÇ ¿µÇâ·ÂÀº °è¼ÓµÇ°í ÀÖ´Ù. Áö³ 2019³â ¼¿ï¿¡¼ ¿¸° ±×ÀÇ ÄܼƮ Á¦¸ñÀº [³ë·¡°¡ ½½ÆÛµµ ÀλýÀº ¾Æ¸§´ä±â¸¦]À̾ú´Ù. ±èÀ±¾Æ´Â ³ë·¡°¡ ½½ÆÛµµ ÀλýÀº ¾Æ¸§´ä±â¸¦ ¹Ù¶ó´Â À½¾Ç°¡´Ù. ½½ÇÁ°íµµ ¾Æ¸§´Ù¿î ÀλýÀ» ³ë·¡ÇÏ´Â ½Ì¾î¼Û¶óÀÌÅÍ ±èÀ±¾Æ´Â »õ ¾Ù¹ü ¹ß¸Å¸¦ ¾ÕµÎ°í ÀÖ´Ù.
Achieving success in a career that spans being both in a band and a solo artist is never easy for a musician, but Kim Yuna has done exactly that. As the main vocalist and composer for Jaurim she puts the finishing touch on the Korean rock band's unique color, while also showcasing her own unique musical world as a solo singer and songwriter. These two shining trajectories in different fields trace their origin back to Jaurim's debut in 1997, and her first solo album in 2001.
As a singer-songwriter, Kim Yuna excels in both creativity and expression. The first thing you notice about her is her voice, one that Koreans since Jaurim's debut have a deep familiarity with. The power of her vocals comes from its outstanding tone, wide vocal range, stability, and delicate expression. Her charm as a solo vocalist was first imprinted on the public through the song One Fine Spring Day (2001), which was the theme song for the movie of the same name and featured in her first solo album.
Kim Yuna is an outstanding melody creator and sensual sound designer. The Korean public has been taken by one song after another of hers with their different moods and textures, such as 'Wall' (2001), 'Nocturne' (2004), 'When Spring Comes' (2004), and 'Going Home' (2010). The melodies are what absorb the listener: at times cold and piercing, and at other times infinitely lyrical and warm. Kim Yuna fashions her musical world using a number of sound designs that include guitar- and piano-centered pop sounds, rich orchestration, mournful and intense tango, and cold and mysterious electronic sounds and ambience. Her musical spectrum knows no limit when it comes to genre.
She is also an excellent lyricist, a storyteller who excels at capturing common events and emotions that occur in everyday life and weaving them into her own refined language. These include indelible loneliness and sadness deep in the heart, human-to-human relationships, and insights into the lives and society around her.
Kim Yuna breathes life into her lyrics using phrases about solitude and the world in which we coexist. Her personal and universal lyrics, such as 'Sometimes' (2001), 'Hate is My Strength' (2004), 'Black River' (2010), and 'Kyrie' (2016), have touched the lives of countless people.
She pursues her own path as a band member and solo artist and is a role model for many younger musicians. Many female singer-songwriters who have emerged since the 2000s are fans of hers in particular, with her influence reaching musicians such as Yozoh, Sunwoo Jung-a, Rooftop Moonlight, and Kim Sawol
One concert that she held in Seoul in 2019 was entitled "May life be beautiful even if the songs are sad". The title of this concert encapsulates her views as a musician with respect to life, as this poignancy in music can act as a sort of catharsis which ultimately results in greater happiness. Kim Yuna sings about both the sadness and beauty of life...and is now on the cusp of releasing her new album.
|
|
|
|
|