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À¸·¹ ÀÌ ÀÛǰÀº ¼º°æÀÇ µ¿¾î¹Ýº¹ÀÌ ¾Æ´Ñ°¡ ÇÏ´Â ÀǽÉÀ» ¹Þ°ï ÇÑ´Ù. ±×·¯³ª ÀÌ ÀÛǰÀº ¼º°æ â¼¼±â¿¡ ¾ð±ÞµÈ °£´ÜÇÑ À̾߱⸦ ¹«±Ã¹«ÁøÇÑ »ó»ó·Â°ú Àΰ£¿¡ ´ëÇÑ ÅëÂû·Î °¡µæ ä¿î, Á¾±³¸¦ ¶Ù¾î³Ñ¾î º¸ÆíÀû ¹®ÇÐ °¡Ä¡¸¦ Áö´Ñ °íÀüÀÌ´Ù.

In Paradise Lost, Milton produced a poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the Fall of Man. Written when Milton was in his fifties - blind, bitterly disappointed by the Restoration and briefly in danger of execution?Paradise Lost has an apparent ambivalence towards authority which has led to intense debate about whether it manages to "justify the ways of God to men", or exposes the cruelty of Christianity.

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Acknowledgements
General Editors' Preface
Introduction
1 Paradise Lost and the English Revolution
2 The Protestant Epic and the Spirit of Capitalism
3 Religion and Ideology: A Political Reading of Paradise Lost
4 Milton's Bogey: Patriarchal Poetry and Women Readers
5 'Rational Burning': Milton on Sex and Marriage
6 The Genesis of Gendered Subjectivity in Paradise Lost
7 Paradise Lost and the Primal Scene
8 Adam and his 'Other Self' in Paradise Lost: A Lacanian Study in Psychic Development
9 Paradise Lost: Ideology, Phantasy and Contradiction
10 Adam on the Grass with Balsamum
11 Paradise Lost as Master-Narrative
12 Freedom, Service, and the Trade in Slaves: The Problem of Labour in Paradise Lost
Further Reading
Notes on Contributors
Index

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