
Susan SontagÀÇ Ã¹¹øÂ° Æò·ÐÁýÀ¸·Î, 1966³â óÀ½ Ãâ°£µÇ¾î ÇöÀç±îÁöµµ Àü¼¼°è ´Ù¾çÇÑ ¼¼´ë¿Í °èÃþÀÇ µ¶ÀÚµé·ÎºÎÅÍ ²ÙÁØÇÑ »ç¶ûÀ» ¹Þ°í Àִ å. ÀÌ Ã¥¿¡´Â¡ºNotes on Camp¡»¡ºAgainst Interpretation¡»°ú °°Àº ±×³àÀÇ À¯¸íÇÑ ¿¡¼¼À̰¡ ¼ö·ÏµÇ¾î Àִµ¥, »ç¸£Æ®¸£, ±î¹¿, ½Ã¸ó´À º£ÀÌÀ¯, °í´Ù¸£, º£ÄÏ, ¸®¹ÙÀ̽º, SF ¿µÈ, ½É¸®ºÐ¼® µî¿¡ °üÇÑ ±×³àÀÇ ±íÀÌÀÖ´Â »ý°¢À» ´Ù¾çÇÏ°Ô °³ÁøÇϰí ÀÖ´Ù. ƯÈ÷ ÀÌ Ã¥Àº "30³â ÀÌÈÄ"¶ó´Â Á¦¸ñÀ¸·Î »õ·Î¿î ÈıⰡ ÷°¡µÇ¾î Ãâ°£µÇ¾ú´Ù.
First published in 1966, this celebrated book--Sontag's first collection of essays--quickly became a modern classic, and has had an enormous influence in America and abroad on thinking about the arts and contemporary culture. As well as the title essay and the famous "Notes on Camp," "Against Interpretation includes original and provocative discussions of Sartre, Simone Weil, Godard, Beckett, science-fiction movies, psychoanalysis, and contemporary religious thinking. This edition features a new afterword by Sontag.

I
Against interpretation
On style
II
The artist as exemplary sufferer
Simone Weil
Camus' Notebooks
Michel Leiris' Manhood
The anthropologist as hero
The literary criticism of Georg Lukacs
Sartre's Saint Genet
Nathalie Sarraute and the novel
III
Ionesco
Reflections on The Deputy
The death of tragedy
Going to theater, etc.
Marat / Sade / Artaud
IV
Spiritual style in the films of Robert Bresson
Godard's Vivre Sa Vie
The imagination of disaster
Jack Smith's Flaming Creatures
Resnais' Muriel
A note on novels and films
V
Piety without content
Psychoanlysis and Norman O. Brown's Life Against Death
Happenings : an art of radical juxtraposition
Notes on "Camp"
One culture and the new sensibility

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