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From Where We Stand

: War, Women's Activism and Feminist AnalysisPaperback ¼öÀÔ 

Cynthia Cockburn | Zed Books | ¹ø¿ª¼­ : ¿©¼º, ÃÑ ¾Õ¿¡ ¼­´Ù

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¡º¿©¼º, ÃÑ ¾Õ¿¡ ¼­´Ù¡»ÀÇ ÀúÀÚÀÎ ½Å½Ã¾Æ ÄÚ¹øÀÌ Ã¥ Àü¹ÝÀ» ÅëÇØ ÀÔÁõÇÏ·Á°í ÇÏ´Â Á¡Àº ¹Ù·Î ÀÌ·¯ÇÑ Áö¹è °ü³ä°ú´Â ´Þ¸® ÀüÀï°ú Æø·Â¿¡ ¸Â¼­´Â ¿©¼ºµéÀÇ ÀúÇ×Àº Âü½ÅÇϰí ÁøÁöÇÒ »Ó¸¸ ¾Æ´Ï¶ó ¸ð¹üÀûÀ̱â±îÁö ÇÏ´Ù´Â Á¡ÀÌ´Ù. À̸¦ ÀúÀÚ´Â ¿©¼ºµéÀÇ ÀúÇ×ÀÌ Áý´ÜÀûÀ̰í Á¶Á÷ÀûÀ̶ó´Â Á¡¿¡¼­, °è±Þ°ú ÀÎÁ¾, ¹ÎÁ·°ú Áö¿ªÀÇ ¹®Á¦¸¦ ÁøÁöÇÏ°Ô Æ÷°ýÇÏ·Á°í ÇÏ´Â Á¡¿¡¼­, ¿©¼ºµé ³»ºÎÀÇ ÀÔÀå Â÷À̸¦ ÁöÇý·Ó°Ô Ⱦ´ÜÇϸ鼭 ¿¬´ë¿Í ´Ü°áÀÇ Ç³Å並 Àϱº´Ù´Â Á¡¿¡¼­, õÆíÀÏ·üÀûÀÎ ÀúÇ× ¹æ½ÄÀ» ºÎÁ¤ÇÑ´Ù´Â Á¡¿¡¼­ ã°í ÀÖ´Ù. ÀÌ Ã¥¿¡ µîÀåÇÏ´Â ¼ö ¸¹Àº ¿©¼ºµéÀÇ ±¼ÇÏÁö ¾Ê°í ÁÙ±âÂ÷°Ô ¹ÝÀüÇüÈ­¿Í ÀÎ±Ç ÇØ¹æÀ» ¿ÜÄ¡´Â ¸ð½ÀÀ» º¸¸é¼­ ÀüÀï°ú ¿©¼º¼º¿¡ ´ëÇÑ °ü³äÀÌ ¹Ù²ð ¼ö ÀÖ´Ù´Â °ÍÀ» µ¶ÀÚµéÀº ±ú´ÞÀ» °ÍÀÌ´Ù.

This original study by the, the product of 80,000 miles of travel by the author over a two-year period, examines women's activism against wars as far apart as Sierra Leone, Colombia and India. It shows women on different sides of conflicts in the former Yugoslavia and Israel refusing enmity and co-operating for peace. It describes international networks of women opposing US and Western European militarism and the so-called 'war on terror'. Women are often motivated by adverse experiences in male-led anti-war movements, preferring to choose different methods of protest and remain in control of their own actions. But like the mainstream movements, women's groups differ - some are pacifist while others put justice before non-violence; some condemn nationalism as a cause of war while others see it as a legitimate source of identity. The very existence of feminist antimilitarism proposes a radical shift in our understanding of war, linking the violence of patriarchal power to that of class oppression and ethnic 'othering'.

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Cynthia Cockburn Æä¹Ì´Ï½ºÆ® ¿¬±¸°¡ÀÌÀÚ ÀÛ°¡ÀÌ´Ù. ÇöÀç ·±´ø¿¡ »ì¸ç ·±´ø ½ÃƼ ´ëÇб³(City University)ÀÇ »çȸÇаú ¹æ¹®±³¼öÀÌ´Ù. ¶ÇÇÑ ±¹Á¦Àû ³×Æ®¿öÅ©ÀÎ À§¹ÎÀÎºí·¢(Women in Black)¿¡¼­ Ȱµ¿ÇÑ´Ù. ÄÚ¹øÀº °æÇèÀû »çȸÁ¶»ç¿¡, Áö³­ 25³â µ¿¾È ³ëµ¿ °úÁ¤°ú ³ëµ¿Á¶ÇÕ, ±×¸®°í Á¶Á÷ º¯Çõ ¹®Á¦¸¦ Á¨´õ¿Í ¿¬°ü½ÃÄÑ ¿¬±¸ÇÏ°í ±ÛÀ» ¹ßÇ¥Çß´Ù. 1995³â ÀÌÈÄ, ÄÚ¹øÀº ºÏ¾ÆÀÏ·£µå, º¸½º´Ï¾Æ-Ç츣ü°íºñ³ª, À̽º¶ó¿¤/ÆÈ·¹½ºÅ¸Àΰú »çÀÌÇÁ·¯½º µî¿¡ °ü½ÉÀ» µÎ°í, ¹«·Â ºÐÀï°ú ÆòÈ­ °úÁ¤¿¡¼­ ³ªÅ¸³ª´Â Á¨´õ ¹®Á¦¿¡ °üÇÑ ±ÛÀ» ½á ¿Ô´Ù. ÀÌ¿Í °ü·ÃÇÑ ´ëÇ¥ÀûÀΠåÀ¸·Î´Â ¡º¿ì¸®¸¦ °¡¸£´Â °ø°£: °¥µî¿¡¼­ Á¨´õ¿Í ¹ÎÁ· Á¤Ã¼¼ºÀ» Çù»óÇϸç(The Space Between Us: Negotiating Gender and National Identities in Conflict)¡», µÎºê¶óºêÄ« ÀÚ¸£ÄÚºê(Dubravka ?arkov)¿Í °øµ¿ ÆíÁýÇÑ ¡ºÀüÀï ÀÌÈÄ: ±º»ç, ³²¼º¼º, ±¹Á¦ÆòÈ­À¯Áö(The Postwar Moment: Militaries, Masculinities and International Peacekeeping)¡», ¡º¶óÀÎ: ¿©¼º, °æ°è, Á¨´õ Áú¼­(The Line: Women, Partition and the Gender Order in Cyprus)¡» µîÀÌ ÀÖ´Ù.

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